Aspects of Eve
Linda Pastan
To have been one
of many ribs
and to be chosen.
To grow into something
quite different
knocking finally
as a bone knocks
on the closed gates of the garden --
which unexpectedly
open.
Wednesday, January 27, 2010
Monday, January 25, 2010
For Dan
Fresh
Naomi Shihab Nye (from her book You & Yours)
To move
cleanly.
Needing to be
nowhere else.
Wanting nothing
from the store.
To lift something
you already had
and set it down
in a new place.
Awakened eye
seeing freshly.
What does that do to
old blood moving through
its channels?
Naomi Shihab Nye (from her book You & Yours)
To move
cleanly.
Needing to be
nowhere else.
Wanting nothing
from the store.
To lift something
you already had
and set it down
in a new place.
Awakened eye
seeing freshly.
What does that do to
old blood moving through
its channels?
Friday, January 22, 2010
Another from Linda Pastan
What We Want
Linda Pastan
What we want
is never simple.
We move among the things
we thought we wanted:
a face, a room, an open book
and these things bear our names --
now they want us.
But what we want appears
in dreams, wearing disguises.
We fall past,
holding out our arms
and in the morning
our arms ache.
We don't remember the dream,
but the dream remembers us.
It is there all day
as an animal is there
under the table,
as the stars are there
even in full sun.
Linda Pastan
What we want
is never simple.
We move among the things
we thought we wanted:
a face, a room, an open book
and these things bear our names --
now they want us.
But what we want appears
in dreams, wearing disguises.
We fall past,
holding out our arms
and in the morning
our arms ache.
We don't remember the dream,
but the dream remembers us.
It is there all day
as an animal is there
under the table,
as the stars are there
even in full sun.
Wednesday, January 20, 2010
Found this one in my daily Writer's Almanac
Hitchhiker
by Galway Kinnell
After a moment, the driver, a salesman
for Travelers Insurance heading for
Topeka, said, "What was that?"
I, in my Navy uniform, still useful
for hitchhiking though the war was over,
said, "I think you hit somebody."
I knew he had. The round face, opening
in surprise as the man bounced off the fender,
had given me a look as he swept past.
"Why didn't you say something?" The salesman
stepped hard on the brakes.
"I thought you saw,"I said.
I didn't know why. It came to me
I could have sat next to this man all the way
to Topeka without saying a word about it.
he opened the car door and looked back.
I did the same. At the roadside,
in the glow of a streetlight, was a body.
A man was bending over it. For an instant
it was myself, in a time to come,
bending over the body of my father.
The man stood and shouted at us, "Forget it!
He gets hit all the time!" Oh.
A bum. We were happy to forget it.
The rest of the way, into dawn in Kansas,
when the salesman dropped me off,
we did not speak,
except, as I got out, I said, "Thanks,"
and he said, "Don't mention it."
"Hitchhiker" by Galway Kinnell, from Imperfect Thirst. © Houghton Mifflin Company, 1994.
by Galway Kinnell
After a moment, the driver, a salesman
for Travelers Insurance heading for
Topeka, said, "What was that?"
I, in my Navy uniform, still useful
for hitchhiking though the war was over,
said, "I think you hit somebody."
I knew he had. The round face, opening
in surprise as the man bounced off the fender,
had given me a look as he swept past.
"Why didn't you say something?" The salesman
stepped hard on the brakes.
"I thought you saw,"I said.
I didn't know why. It came to me
I could have sat next to this man all the way
to Topeka without saying a word about it.
he opened the car door and looked back.
I did the same. At the roadside,
in the glow of a streetlight, was a body.
A man was bending over it. For an instant
it was myself, in a time to come,
bending over the body of my father.
The man stood and shouted at us, "Forget it!
He gets hit all the time!" Oh.
A bum. We were happy to forget it.
The rest of the way, into dawn in Kansas,
when the salesman dropped me off,
we did not speak,
except, as I got out, I said, "Thanks,"
and he said, "Don't mention it."
"Hitchhiker" by Galway Kinnell, from Imperfect Thirst. © Houghton Mifflin Company, 1994.
Monday, January 18, 2010
Picking Up Poems Again
Wildflowers
Linda Pastan (from her book Carnival Evening)
You gave me dandelions.
They took our lawn
by squatter's rights --
round suns rising
in April, soft moons
blowing away in June.
You gave my lady slippers,
bloodroot, milkweed,
trillium whose secret number
the children you gave me
tell. In the hierarchy
of flowers, the wild
rise on their stems
for naming.
Call them weeds.
I pick them as I
picked you,
for their fierce,
unruly joy.
Linda Pastan (from her book Carnival Evening)
You gave me dandelions.
They took our lawn
by squatter's rights --
round suns rising
in April, soft moons
blowing away in June.
You gave my lady slippers,
bloodroot, milkweed,
trillium whose secret number
the children you gave me
tell. In the hierarchy
of flowers, the wild
rise on their stems
for naming.
Call them weeds.
I pick them as I
picked you,
for their fierce,
unruly joy.
Friday, January 8, 2010
Snowstorm
Snowstorm (from Carnival Evening: New and Selected Poems 1968-1998)
Linda Pastan
Just watching is enough,
as if the eyes were two headlamps,
the body a stalled vehicle
in all this whiteness;
and every space is filled
and filled again with the silence
of pure geometry.
Until, as in a blink, the clouds
part, the fuse
of the sun ignites a passion
of melting, a roar
down the rooftiles,
and here comes the world
as it was, untransformed,
ordinary; and I am still
at the window, full
of a cold knowledge
I hardly understand.
Linda Pastan
Just watching is enough,
as if the eyes were two headlamps,
the body a stalled vehicle
in all this whiteness;
and every space is filled
and filled again with the silence
of pure geometry.
Until, as in a blink, the clouds
part, the fuse
of the sun ignites a passion
of melting, a roar
down the rooftiles,
and here comes the world
as it was, untransformed,
ordinary; and I am still
at the window, full
of a cold knowledge
I hardly understand.
Wednesday, January 6, 2010
Homage to Coffee
Air Freshener
Sandi J. Holland
Brown bubbles skate across
the smooth, scalding surface,
and cluster at the lip
of the hot mug of dark brew.
They jostle each other,
and murmur steamy coffee stories.
Each anxious
to be the first to burst,
and flick her rich, pungent scent
into the crisp, clean air
of early morning.
Sandi J. Holland
Brown bubbles skate across
the smooth, scalding surface,
and cluster at the lip
of the hot mug of dark brew.
They jostle each other,
and murmur steamy coffee stories.
Each anxious
to be the first to burst,
and flick her rich, pungent scent
into the crisp, clean air
of early morning.
Monday, January 4, 2010
William Carlos Williams' Poem for a Monday
The Attic Which Is Desire (from his Selected Poems)
William Carlos Williams
the unused tent
of
bare beams
beyond which
directly wait
the night
and day --
Here
from the street
by
***
*S*
*O*
*D*
*A*
***
ringed with
running lights
the darkened
pane
exactly
down the center
is
transfixed.
~
Poem
William Carlos Williams
As the cat
climbed over
the top of
the jamcloset
first the right
forefoot
carefully
then the hind
stepped down
into the pit of
the empty
flowerpot
William Carlos Williams
the unused tent
of
bare beams
beyond which
directly wait
the night
and day --
Here
from the street
by
***
*S*
*O*
*D*
*A*
***
ringed with
running lights
the darkened
pane
exactly
down the center
is
transfixed.
~
Poem
William Carlos Williams
As the cat
climbed over
the top of
the jamcloset
first the right
forefoot
carefully
then the hind
stepped down
into the pit of
the empty
flowerpot
Wednesday, December 30, 2009
2 for 1: a Collins and a Young
The Lodger
Billy Collins
from his book The Trouble with Poetry
After I have beaten my sword into a ploughshare,
I beat my ploughshare into a hoe,
then I beat the hoe into a fork,
which I used to eat my dinner alone.
And when I had finished dinner,
I beat my fork into a toothpick,
which I twirled on my lips
then flicked over a low stone wall
as I walked along the city river
under the clouds and stars,
quite happy but for the thought
that I should have beaten that toothpick into a shilling
so I could a buy a newspaper to read
after climbing the stairs to my room.
~
Jetty
Lauren Young
We tiptoe from rock to rock
on the 1st Street jetty
in the darkness, lights
glowing from the boardwalk.
Our feet flex to grip the slickest boulders,
arms out like gull wings.
Our skirts ruffle in the briny
breeze.
The air is sticky,
sea spray misting my glasses,
flip-flops forked in the V
of my fingers.
The soft roar of the waves
beckons us out past the sandbar
to the very tip.
A gaggle of girls,
giggling until we spot the sign
prohibiting climbing onto the jetty,
we scurry
back to shore.
Billy Collins
from his book The Trouble with Poetry
After I have beaten my sword into a ploughshare,
I beat my ploughshare into a hoe,
then I beat the hoe into a fork,
which I used to eat my dinner alone.
And when I had finished dinner,
I beat my fork into a toothpick,
which I twirled on my lips
then flicked over a low stone wall
as I walked along the city river
under the clouds and stars,
quite happy but for the thought
that I should have beaten that toothpick into a shilling
so I could a buy a newspaper to read
after climbing the stairs to my room.
~
Jetty
Lauren Young
We tiptoe from rock to rock
on the 1st Street jetty
in the darkness, lights
glowing from the boardwalk.
Our feet flex to grip the slickest boulders,
arms out like gull wings.
Our skirts ruffle in the briny
breeze.
The air is sticky,
sea spray misting my glasses,
flip-flops forked in the V
of my fingers.
The soft roar of the waves
beckons us out past the sandbar
to the very tip.
A gaggle of girls,
giggling until we spot the sign
prohibiting climbing onto the jetty,
we scurry
back to shore.
Monday, December 28, 2009
A Pablo Neruda Poem
Ode to My Socks
Pablo Neruda
Mara Mori brought me
a pair of socks
which she knitted herself
with her sheepherder’s hands,
two socks as soft as rabbits.
I slipped my feet into them
as if they were two cases
knitted with threads of twilight and goatskin,
Violent socks,
my feet were two fish made of wool,
two long sharks
sea blue, shot through
by one golden thread,
two immense blackbirds,
two cannons,
my feet were honored in this way
by these heavenly socks.
They were so handsome for the first time
my feet seemed to me unacceptable
like two decrepit firemen,
firemen unworthy of that woven fire,
of those glowing socks.
Pablo Neruda
Mara Mori brought me
a pair of socks
which she knitted herself
with her sheepherder’s hands,
two socks as soft as rabbits.
I slipped my feet into them
as if they were two cases
knitted with threads of twilight and goatskin,
Violent socks,
my feet were two fish made of wool,
two long sharks
sea blue, shot through
by one golden thread,
two immense blackbirds,
two cannons,
my feet were honored in this way
by these heavenly socks.
They were so handsome for the first time
my feet seemed to me unacceptable
like two decrepit firemen,
firemen unworthy of that woven fire,
of those glowing socks.
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